• 
  Valérian Fraisse, Cynthia Tarlao, Catherine Guastavino. Shaping city soundscapes: In situ comparison of four sound installations in an urban public space. Landscape and Urban Planning, 2024, 251, pp.105173. ⟨10.1016/j.landurbplan.2024.105173⟩. ⟨hal-04685924⟩
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  Valérian Fraisse, Nadine Schütz, Marcelo M Wanderley, Catherine Guastavino, Nicolas Misdariis. Using soundscape simulation to evaluate compositions for a public space sound installation. Journal of the Acoustical Society of America, 2024, 156 (2), pp.1183-1201. ⟨10.1121/10.0028184⟩. ⟨hal-04685909⟩
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  Juliette Séjourné, Frédéric Bevilacqua, Anthonin Gourichon. Tsukumo-café : Exploration interactive d'un objet connecté à sa propre intériorité…. Drôles d'objets, May 2023, Nancy, France. ⟨10.5281/zenodo.12783994⟩. ⟨hal-04655357⟩
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  Emmanuel Ponsot, Patrick Susini, Sabine Meunier. Global loudness of rising-and falling-intensity tones: How temporal profile characteristics shape overall judgments. Journal of the Acoustical Society of America, 2017, 142 (1), pp.256-267. ⟨10.1121/1.4991901⟩. ⟨hal-04649983⟩
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  Thibaut Carpentier. Implementation of a continuously variable delay line by crossfading between several tap delays. Sound and Music Computing (SMC), Jul 2024, Porto, Portugal. ⟨hal-04646939⟩
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  Thibaut Carpentier. Beamix : Application of an Ambisonics filter bank for the creation of directional effects. Sound and Music Computing (SMC), Jul 2024, Porto, Portugal. ⟨hal-04646935⟩
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  Garth Paine, Frédéric Bevilacqua, Benjamin Matuszewski. Editorial: Collective and networked sound practices. Organised Sound, 2021, 26 (3), pp.303-304. ⟨10.1017/S1355771821000388⟩. ⟨hal-03575537⟩
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  Marco Fiorini, Nicolas Brochec. Guiding Co-Creative Musical Agents through Real-Time Flute Instrumental Playing Technique Recognition. Sound and Music Computing Conference (SMC 2024), Jul 2024, Porto, Portugal. ⟨hal-04635907⟩
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  Bruno L. Giordano, Hauke Egermann, Roberto Bresin. The Production and Perception of Emotionally Expressive Walking Sounds: Similarities between Musical Performance and Everyday Motor Activity. PLoS ONE, 2014, 9 (12), pp.e115587. ⟨10.1371/journal.pone.0115587⟩. ⟨hal-02441494⟩
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  Peter Verdée, Pierre Saint-Germier, Pilar Terrés Villalonga. Connecting the dots: hypergraphs to analyze and visualize the joint-contribution of premises and conclusions to the validity of arguments. Philosophical Studies, 2024, ⟨10.1007/s11098-024-02141-7⟩. ⟨hal-04632350⟩
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  Pierre Saint-Germier, Peter Verdée, Pilar Terrés Villalonga. Relevant entailment and logical ground. Philosophical Studies, 2024, ⟨10.1007/s11098-024-02101-1⟩. ⟨hal-04632266⟩
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  Clément Canonne, Pierre Saint-Germier. What Is Wrong with Aesthetic Empiricism? An Experimental Study. Review of Philosophy and Psychology, 2024, ⟨10.1007/s13164-024-00744-x⟩. ⟨hal-04631340⟩
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  Téo Guichoux, Laure Soulier, Nicolas Obin, Catherine Pelachaud. Investigating the impact of 2D gesture representation on co-speech gesture generation. WACAI, Jun 2024, Bordeaux & Online, France. ⟨hal-04626335⟩
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  François-Xavier Féron, Laura Zattra. John Chowning à l'Ircam: de la création de Stria en 1977 à ses recherches dans le studio MIDI en 1985. Les journées d'Informatique Musicale, PRISM, May 2024, Marseille, France. pp.173-187. ⟨halshs-04622447⟩
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  Théodor Lemerle, Nicolas Obin, Axel Roebel. Small-E: Small Language Model with Linear Attention for Efficient Speech Synthesis. Interspeech, ISCA, Sep 2024, Kos Island, Greece. ⟨hal-04611889⟩
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  Valérian Fraisse, Nicola Giannini, Catherine Guastavino, Guillaume Boutard. Experiencing Sound Installations: A conceptual framework. Organised Sound, 2022, 27 (2), pp.227-242. ⟨10.1017/S135577182200036X⟩. ⟨hal-04406233⟩
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  Victor Paredes, Jules Françoise, Frédéric Bevilacqua. Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement Sound Interactions. New Interfaces for Musical Expression (NIME), Jun 2022, Auckland, New Zealand. ⟨10.21428/92fbeb44.5b9ac5ba⟩. ⟨hal-03789906v2⟩
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  Sarah Nabi, Philippe Esling, Geoffroy Peeters, Frédéric Bevilacqua. Embodied exploration of deep latent spaces in interactive dance-music performance. 9th International Conference on Movement and Computing (MOCO '24), May 2024, Utrecht, Netherlands. ⟨10.1145/3658852.3659072⟩. ⟨hal-04602229⟩
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  Arthur Faraco, Armand Schwarz, Coralie Vincent, Patrick Susini, Emmanuel Ponsot, et al.. Listening Behaviors and Musical Coordination in Collective Free Improvisation. Music & Science, 2024, 7, ⟨10.1177/20592043241257023⟩. ⟨hal-04587946⟩
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  Paul Lascabettes, Isabelle Bloch. What Are "Good" Rhythms? Generating Rhythms Based on the Properties Set Out in The Geometry of Musical Rhythm. Mathematics and Computation in Music, Jun 2024, Coimbra, Portugal. pp.45-57. ⟨hal-04579586⟩

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