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Sciences et technologies de la musique et du son
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Last submissions
Valérian Fraisse, Cynthia Tarlao, Catherine Guastavino. Shaping city soundscapes: In situ comparison of four sound installations in an urban public space.
Landscape and Urban Planning
, 2024, 251, pp.105173.
⟨10.1016/j.landurbplan.2024.105173⟩
.
⟨hal-04685924⟩
Valérian Fraisse, Nadine Schütz, Marcelo M Wanderley, Catherine Guastavino, Nicolas Misdariis. Using soundscape simulation to evaluate compositions for a public space sound installation.
Journal of the Acoustical Society of America
, 2024, 156 (2), pp.1183-1201.
⟨10.1121/10.0028184⟩
.
⟨hal-04685909⟩
Juliette Séjourné, Frédéric Bevilacqua, Anthonin Gourichon. Tsukumo-café : Exploration interactive d'un objet connecté à sa propre intériorité….
Drôles d'objets
, May 2023, Nancy, France.
⟨10.5281/zenodo.12783994⟩
.
⟨hal-04655357⟩
Emmanuel Ponsot, Patrick Susini, Sabine Meunier. Global loudness of rising-and falling-intensity tones: How temporal profile characteristics shape overall judgments.
Journal of the Acoustical Society of America
, 2017, 142 (1), pp.256-267.
⟨10.1121/1.4991901⟩
.
⟨hal-04649983⟩
Thibaut Carpentier. Implementation of a continuously variable delay line by crossfading between several tap delays.
Sound and Music Computing (SMC)
, Jul 2024, Porto, Portugal.
⟨hal-04646939⟩
Thibaut Carpentier. Beamix : Application of an Ambisonics filter bank for the creation of directional effects.
Sound and Music Computing (SMC)
, Jul 2024, Porto, Portugal.
⟨hal-04646935⟩
Garth Paine, Frédéric Bevilacqua, Benjamin Matuszewski. Editorial: Collective and networked sound practices.
Organised Sound
, 2021, 26 (3), pp.303-304.
⟨10.1017/S1355771821000388⟩
.
⟨hal-03575537⟩
Marco Fiorini, Nicolas Brochec. Guiding Co-Creative Musical Agents through Real-Time Flute Instrumental Playing Technique Recognition.
Sound and Music Computing Conference (SMC 2024)
, Jul 2024, Porto, Portugal.
⟨hal-04635907⟩
Bruno L. Giordano, Hauke Egermann, Roberto Bresin. The Production and Perception of Emotionally Expressive Walking Sounds: Similarities between Musical Performance and Everyday Motor Activity.
PLoS ONE
, 2014, 9 (12), pp.e115587.
⟨10.1371/journal.pone.0115587⟩
.
⟨hal-02441494⟩
Peter Verdée, Pierre Saint-Germier, Pilar Terrés Villalonga. Connecting the dots: hypergraphs to analyze and visualize the joint-contribution of premises and conclusions to the validity of arguments.
Philosophical Studies
, 2024,
⟨10.1007/s11098-024-02141-7⟩
.
⟨hal-04632350⟩
Pierre Saint-Germier, Peter Verdée, Pilar Terrés Villalonga. Relevant entailment and logical ground.
Philosophical Studies
, 2024,
⟨10.1007/s11098-024-02101-1⟩
.
⟨hal-04632266⟩
Clément Canonne, Pierre Saint-Germier. What Is Wrong with Aesthetic Empiricism? An Experimental Study.
Review of Philosophy and Psychology
, 2024,
⟨10.1007/s13164-024-00744-x⟩
.
⟨hal-04631340⟩
Téo Guichoux, Laure Soulier, Nicolas Obin, Catherine Pelachaud. Investigating the impact of 2D gesture representation on co-speech gesture generation.
WACAI
, Jun 2024, Bordeaux & Online, France.
⟨hal-04626335⟩
François-Xavier Féron, Laura Zattra. John Chowning à l'Ircam: de la création de Stria en 1977 à ses recherches dans le studio MIDI en 1985.
Les journées d'Informatique Musicale
, PRISM, May 2024, Marseille, France. pp.173-187.
⟨halshs-04622447⟩
Théodor Lemerle, Nicolas Obin, Axel Roebel. Small-E: Small Language Model with Linear Attention for Efficient Speech Synthesis.
Interspeech
, ISCA, Sep 2024, Kos Island, Greece.
⟨hal-04611889⟩
Valérian Fraisse, Nicola Giannini, Catherine Guastavino, Guillaume Boutard. Experiencing Sound Installations: A conceptual framework.
Organised Sound
, 2022, 27 (2), pp.227-242.
⟨10.1017/S135577182200036X⟩
.
⟨hal-04406233⟩
Victor Paredes, Jules Françoise, Frédéric Bevilacqua. Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement Sound Interactions.
New Interfaces for Musical Expression (NIME)
, Jun 2022, Auckland, New Zealand.
⟨10.21428/92fbeb44.5b9ac5ba⟩
.
⟨hal-03789906v2⟩
Sarah Nabi, Philippe Esling, Geoffroy Peeters, Frédéric Bevilacqua. Embodied exploration of deep latent spaces in interactive dance-music performance.
9th International Conference on Movement and Computing (MOCO '24)
, May 2024, Utrecht, Netherlands.
⟨10.1145/3658852.3659072⟩
.
⟨hal-04602229⟩
Arthur Faraco, Armand Schwarz, Coralie Vincent, Patrick Susini, Emmanuel Ponsot, et al.. Listening Behaviors and Musical Coordination in Collective Free Improvisation.
Music & Science
, 2024, 7,
⟨10.1177/20592043241257023⟩
.
⟨hal-04587946⟩
Paul Lascabettes, Isabelle Bloch. What Are "Good" Rhythms? Generating Rhythms Based on the Properties Set Out in The Geometry of Musical Rhythm.
Mathematics and Computation in Music
, Jun 2024, Coimbra, Portugal. pp.45-57.
⟨hal-04579586⟩
Number of fulltext
1 501
Number of reference
2 033
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